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ART 214 - Printmaking II

3 Credits, 5 Contact Hours
2 lecture periods 3 lab periods

Continuation of ART 212 . Includes advanced problems in aesthetics and techniques of intaglio projects and techniques, relief printing, monotype techniques, and multi-process and alternative approaches to printmaking.

Prerequisite(s): ART 212  

1. Demonstrate expanded use of intaglio processes (hard ground, soft ground, drypoint, and aquatint).
2. Demonstrate expanded relief-printing process.
3. Demonstrate expanded use of monotype printing with addition of color, overlays, and Xerox and/or other transfers.
4. Demonstrate multi-process printing.

1. Intaglio Projects and Techniques: Multi-Plate and Multi-Color Possibilities Expanded
   1. Drypoint
   2. Hard ground
   3. Soft ground
   4. Aquatint
   5. Edition(s)
2. Relief Printing: Multi-Plate and Multi-Color Possibilities
   1. Wood and/or linoleum and/or sintra substrates
   2. Working with different gouges
   3. Constructed surfaces

III.    Monotype Techniques: Multi-Plate and Multi-Color Possibilities

A.     Rolling, wiping, inking

B.     Xerox and/or citris-solve and/or gel medium and/or offset transfers

IV. Multi-Process and Alternative Approaches to Printmaking

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