ART 219 - Printmaking III

1. Demonstrate experimental, non-traditional use of medium.
2. Demonstrate advanced problem-solving in traditional intaglio processes.   
3. Demonstrate advanced multi-process printing. 
4. Demonstrate expanded use of monotype printing with additional color plates and/or nontoxic processes. 
5. Discuss personal prints and engage critical analysis.

1. Experimentation With Intaglio, Relief and/or Other Print Processes
   1. Creative combinations  
   2. Viscosity printing  
2. Multi-Color Possibilities With Non-Traditional Compositions  
   1. Two-color combinations, and/or shaped/cut plates
   2. Viscosity printing  
3. Combing Relief and Intaglio Multi-Processes
   1. Wood, zinc or copper
   2. Acrylic and/or acetate, transparent substrates for registration
   3. Chin colle or nontraditional collage processes
   4. Solarplates and ImageOn and/or solar/non-solar photo processes
4. Expand on Monoprint With Multiple Plates, Offset or Varied Multiples Runs
   1. Creative combinations and registration  
   2. Viscosity printing with oil-based or water-based inks  
   3. Ghost prints with additional development
5. Critical Analysis
   1. Use accurate print terminology of tools and processes in discussions/critiques
   2. Relate contemporary and historical references and solutions to personal work
   3. Final portfolio of intermediate to advanced prints